Just getting started a little over 3 years ago, the lovely Heather Gin is no beginner when it comes to making music. Quiet as it’s kept, she started playing piano at the age of 4 and can play the guitar and flute as well.
I had the opportunity to attend Heather’s album release party last month at Seattle’s Barboza Night Club in Capitol Hill and was pleasantly surprised w/ the indie movement. The venue was filled w/ 206 pioneers in the indie scene and highly energetic music lovers. The Pop Princess came out blazing w/ a live band supporting her every move. “Smooth” and “Sultry” are just a few words off top that describe her delivery. But, don’t get me wrong, Heather turns it up w/ tracks like ” Jump” and “Can’t Enough”.
- Has your family been supportive during your career?
- Not much, my dad and step-mom have very conservative Christian views and would never approve of any music that wasn’t Christian. My mom and all of my siblings are outside of Washington State, as far as Atlanta and Washington D.C., so they don’t really follow what I’m doing too closely, other than liking a post on social media related to music. However, growing up as a child under my parents’ roof, they did financially support me through 12 years of private piano lessons. I consider that a blessing and will always be grateful for that. Piano was the grassroots of my music career and nobody can take that away from me.
How has your experience been, being an artist in Seattle, WA?
I have been blessed to have the opportunity to work with some very talented producers early on in my career, such as Vitamin D and Kuddie Fresh, as well as talented artist collaborations with Neema, SPAC3MAN, and Romaro Franceswa. But what really got my music jump started was that I was able to purchase a home studio and put together a production team with songwriter/producer Michael Kidd and recording/mix engineer, Kris Stiell. We work very well together and produced nearly 70% of the tracks on my new album “Passion” from my home studio located right in my bedroom! Overall, it wasn’t that difficult for me to fit into the Seattle music scene, but I do realize that it takes time to win over people and gain a solid following. Since I’m fairly new to the scene, I know I still have a ways to go and need to put in a lot more ground work before my career can really take off. In the meantime, I’m still working on me, my craft, honing my sound, gaining more exposure, networking and building my brand.
What are the pros and cons of being an artist in the Pacific NW?
Pros – the hip hop scene is a small-niche community and everyone who’s active either knows each other, or there’s only like one degree of separation between people. People in the industry in general have showed me love early on, but I really think it’s because I came out with people like Vitamin D backing my production. As a result, people were more curious and open to meeting me and seeing what I was about, and when they finally got to meet me, they realized that I’m down-to-earth and a genuine person. Cons–I’m not exactly sure where I fit in with the local hip hop scene as a pop/rnb artist. Perhaps I need to leave my current situation and hit different scenes, network outside of my circle, but it’s hard to meet new people and develop the trust I have with the current team I work with within the hip hop community. To be more clear on the issue, I’ve been asked to perform at several rap shows, some a little too gangster for my style and image. I couldn’t even find any pop artists to open up for me at my album release party earlier this month so I had rappers open up instead, with the exception of Dice. Another issue that I’ve faced is that sometimes I feel that people outside of Seattle show more love—not the industry folks, but the listeners, crowd, fans in general. I’ve travelled to New York with my music and have gotten a lot more love and respect from random people than I have here in Seattle. I’m not exactly sure what that means and it may be too early in my career to really understand it, but that has been my experience so far being an artist here.
Do you write your own material? If not, who contributes?
Both, I write my own and have co-written with Michael Kidd.
Tell us about your team…Who do you work w/ and why?
I work with Vitamin D and Kris Stiell, and in the past Michael Kidd. I also work with a team based out on the East Coast called The Debonaire Group under Ryan Davis. I work with the people mentioned because they’re not only talented, but solid people to work with. You run across a lot of flaky inconsistent, unreliable people in this industry and can get burned left and right if you fall for the BS. Luckily, I came into the business with seasoned veterans schooling me in how the industry works, so I learned quick. Plus, being an independent woman, you learn to fend for yourself as it is and gain a sick intuition that protects you from making bad, costly decisions. A lot of woman and young girls come into the industry naive and desperate and that’s never a good look. I’m not easily impressed or mislead by people who aren’t about what they say they are. I trust and respect the people I work with and feel blessed to have met them. They’re like family now.
What are your plans for Summer/Fall 2014?
Well since I just dropped my first full-length studio album “Passion” I’m focused on doing more shows and getting my name and music out there. Last summer I spent a lot of time recording in a hot booth. This summer, I’m ready for some action want to work towards gaining more public exposure.
Any advice for an up and coming indie artist?
Build yourself a solid dedicated reliable team that believes in you! From production to marketing, promotions, street team, graphic designer, PR, bloggers, etc. This is key to success–we can all learn a thing or two from how Macklemore made it. I’m still working on filling the gaps within my team, including a publicist, but I’m assessing the situation and trying to figure out what the next move is in filling the gaps with the right people in order to move in the right direction. You also need to believe in yourself and never give up, despite the criticism that will come your way. Last but not least, engage with your fans as best as you can. This is all stuff that I’m still working on too, so it’s not like I know everything or have it all together, but everything is a working progress and nothing happens overnight.
What can your fans look forward from you this coming year?
In addition to doing more shows, I’ll be dropping new visuals off the album. We already wrote a music video treatment last week and are now in the process of working out the details, coming up with the budget, and coordinating dates to shoot. I’m also currently working with Roc Nation producer, Jahlil Beats, on a new record. I’m really excited for this one—I can’t really say too much right now but doing my first record with a mainstream producer is a dream come true!
Follow Heather >>>
- Heather on KUBE 93 FM/ SNSS | Click Here
- @HeatherGin on Twitter and Instagram |
- Heather Gin on Facebook http://facebook.com/heathergin |
- Heather Gin on YouTube http://youtube.com/heatherginmusic |
- Heather Gin on Soundcloud http://soundcloud.com/heathergin |
- Heather Gin’s Official Website http://HeatherGin.com